“Pomona Britannica: Plums” risograph print framed on a wall (room mockup)

Close-up of the framed “Pomona Britannica: Plums” print, showing the paper and mat

1:1 detail of “Pomona Britannica: Plums”, showing the risograph texture

“Pomona Britannica: Plums”, the full risograph print

Size chart: the five file ratios with pixel size and dpi

The original museum image of “Pomona Britannica: Plums” beside the Tiraj risograph version

Risograph · Botanical

Brookshaw’s Plums, Vintage Fruit Risograph

after George Brookshaw, 1806

Technique: Three-colour risograph
Colour: Hunter green, sunflower and burgundy
Original: “Pomona Britannica: No. 17 - Plums”, George Brookshaw (British, 1751–1823), 1806
Museum: Cleveland Museum of Art ↗

$7.99

Buy & download

Launch offer: enter TIRAJ25 at checkout for 25% off, until 5 December.

Secure checkout by Polar, our merchant of record. Your files are ready to download right after payment. Or get the complete Botanical set, all 7 prints, for $17.99. Also in the Low Light room set: three prints that hang together, $14.99.

Digital download only: no printed item or frame is shipped. At checkout you confirm this and that the download starts right away, which ends the right of withdrawal. Terms of sale.

Not AI-generated. Made with Tiraj, our own printmaking simulation, from a public-domain museum image. Every colour and setting was chosen and checked by hand.

George Brookshaw's plums from Pomona Britannica (1806), reprinted as a three-colour risograph in hunter green, sunflower and burgundy over a dark ground on cream paper.

The original

“Pomona Britannica: No. 17 - Plums” by George Brookshaw (British, 1751–1823), 1806, is in the public domain. The image comes from the Cleveland Museum of Art, which shares it under CC0 (no rights reserved).

The print

Tiraj separates the aquatint into three risograph drums, hunter green, sunflower and burgundy. The three inks overprint into the near-black ground of the original plate; the leaves stay green and the plums keep their purple bloom.

The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file.

What’s included

5 high-resolution JPEG files (sRGB), one per proportion:

Ratio	Print sizes	Pixels	Resolution
2:3	4×6, 8×12, 12×18, 16×24, 20×30, 24×36 in	7200×10800 px	300 dpi at 24×36
3:4	6×8, 9×12, 12×16, 18×24 in	5400×7200 px	300 dpi at 18×24
4:5	4×5, 8×10, 16×20 in	4800×6000 px	300 dpi at 16×20
11:14	11×14 in	3300×4200 px	300 dpi at 11×14
ISO A	A5, A4, A3, A2, A1	7016×9933 px	300 dpi at A1

All files are 300 dpi at their largest size.

The 2:3, ISO A files keep the whole picture with a paper margin, because cropping would cut into the subject; the other files are cropped slightly to fill the sheet.

Printing tips

Use heavyweight white matte paper (200 gsm or more, archival matte or cotton rag). Print at 100% / actual size, not 'fit to page', and pick the file that matches your frame.
Colours can vary slightly between screens and printers.

License

The original is in the public domain (verified with the museum’s API on 2026-11-06). The Tiraj interpretation is ours: the files are for personal use only. Print them for your own home or as a gift; please don’t resell, share or redistribute the files or sell prints made from them. Full license.

Digital download: nothing is shipped, frame not included. Colours vary slightly between screens and printers.