https://sezlab.dev/tirajart/ Printable vintage museum art, re-made as hand-press prints. tirajart-rembrandt-sanguineRembrandt's oval portrait of a young woman, redrawn line by line as an engraving and printed in sanguine red on warm washi paper. Tiraj reinterprets the painting as a burin engraving: parallel lines that follow the form of the face, the lace collar and the dark dress. The ink is sanguine, the red-chalk colour of 18th-century crayon-manner prints that imitated red chalk drawings. The paper tone is part of the artwork; print on white matte paper. The warm washi fibres and the light line texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/rembrandt-sanguine/ https://sezlab.dev/tirajart/img/p/rembrandt-sanguine/akis-1200-fc607f9f.jpg https://sezlab.dev/tirajart/img/p/rembrandt-sanguine/05-600-59f51669.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Engraving tirajart-hiroshige-risoHiroshige's Hamamatsu station from the Tokaido road, reprinted as a three-colour risograph in blue, bright red and yellow on cream paper. Tiraj separates the woodblock print into three risograph drums, blue, bright red and yellow, with riso grain and a slight misregistration between the layers. Like the original woodblock, the picture is built from flat layers of ink. The paper tone is part of the artwork; print on white matte paper. The cream sheet and riso grain are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/hiroshige-riso/ https://sezlab.dev/tirajart/img/p/hiroshige-riso/akis-1200-df65707e.jpg https://sezlab.dev/tirajart/img/p/hiroshige-riso/05-600-1d0c9bc6.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Risograph tirajart-redoute-risoRedouté's pasture rose, reprinted as a three-colour risograph in hunter green, sunflower and burgundy on cream paper, like a vintage botanical plate. Tiraj separates the stipple engraving into three risograph drums, hunter green, sunflower and burgundy, with riso grain and slight misregistration. The roses stay pink and the leaves stay green. The paper tone is part of the artwork; print on white matte paper. The cream sheet and riso grain are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/redoute-riso/ https://sezlab.dev/tirajart/img/p/redoute-riso/akis-1200-fdddfc95.jpg https://sezlab.dev/tirajart/img/p/redoute-riso/05-600-7567a4ae.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Risograph tirajart-redoute-cyanotypeRedouté's pasture rose as a deep indigo cyanotype on cream paper, with brushed edges and a long, even exposure that keeps every vein of the leaves. Tiraj turns the engraving into a cyanotype, the iron-based sun print: a single deep indigo that holds the shadows of the petals and leaves, with hand-brushed edges and a long exposure. The paper tone is part of the artwork; print on white matte paper. The cream sheet and the brush edges are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/redoute-cyanotype/ https://sezlab.dev/tirajart/img/p/redoute-cyanotype/akis-1200-4ae841ae.jpg https://sezlab.dev/tirajart/img/p/redoute-cyanotype/05-600-e3f75c33.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Cyanotype tirajart-pasini-mosque-iznik-risoAlberto Pasini's painting of a sebil and mosque in Istanbul, reprinted as a three-colour risograph in Iznik blue, red and aqua on cream paper. Tiraj separates the painting into three risograph drums, medium blue, bright red and aqua, with riso grain and a slight misregistration. Blue carries the domes, the minaret and the crowd; where blue and red overprint they make the deep plum of the plane trees. The sky stays open on the cream sheet, with aqua where the light breaks through. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/pasini-mosque-iznik-riso/ https://sezlab.dev/tirajart/img/p/pasini-mosque-iznik-riso/akis-1200-3b6a6378.jpg https://sezlab.dev/tirajart/img/p/pasini-mosque-iznik-riso/05-600-ce910a88.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Risograph tirajart-osman-hamdi-mosque-door-serigraphOsman Hamdi Bey's man resting at a mosque door, reprinted as a three-layer screen print in the painting's own earth tones: warm black, ochre and stone grey on cream paper. Tiraj reduces the painting to three flat, opaque screen-printed layers: warm black for the shadows, the doorway and the tiled lintel, ochre for the robe, the lamp and the warm light inside, stone grey for the carved marble. The cream sheet stays open for the sunlit stone. Each layer is a hard-edged shape with a little ink spread. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/osman-hamdi-mosque-door-serigraph/ https://sezlab.dev/tirajart/img/p/osman-hamdi-mosque-door-serigraph/akis-1200-e222b0c8.jpg https://sezlab.dev/tirajart/img/p/osman-hamdi-mosque-door-serigraph/05-600-dbd3ed55.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Screen print tirajart-sargent-santa-sofia-mezzotintJohn Singer Sargent's oil sketch of the interior of Hagia Sophia, reprinted as a mezzotint in bistre brown on warm cream paper: the windows of the dome burn out of a velvet dark. Tiraj reinterprets the painting as a mezzotint: a rocked, velvety dark ground from which the light is scraped and burnished. The ink is bistre, the brown-black of 18th-century mezzotint reproductions. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/sargent-santa-sofia-mezzotint/ https://sezlab.dev/tirajart/img/p/sargent-santa-sofia-mezzotint/akis-1200-e99ac372.jpg https://sezlab.dev/tirajart/img/p/sargent-santa-sofia-mezzotint/05-600-bf3da693.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Mezzotint tirajart-caranza-sebil-cyanotypeErnest de Caranza's 1850s photograph of the Fountain of Ahmed III beside Hagia Sophia, reprinted as a deep indigo cyanotype on cream paper with brushed edges. Tiraj turns the salted paper photograph into a cyanotype, the iron-based sun print of the same decade: a single deep indigo that holds the deep eaves, the domes and the carved niches, with hand-brushed edges and a long exposure. The paper tone is part of the artwork; print on white matte paper. The cream sheet and the brush edges are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/caranza-sebil-cyanotype/ https://sezlab.dev/tirajart/img/p/caranza-sebil-cyanotype/akis-1200-e6a2a780.jpg https://sezlab.dev/tirajart/img/p/caranza-sebil-cyanotype/05-600-ab7734c8.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Cyanotype tirajart-lorck-suleyman-linocutMelchior Lorck's 16th-century portrait of Sultan Süleyman before the Süleymaniye Mosque, recut as a single-block linocut in deep indigo on warm washi paper, like an ukiyo-e block. Tiraj redraws the engraving as a linocut: one block carved in directional strokes that follow the robe, the arch and the mosque behind, printed in deep indigo. In 1688 the plate was altered to represent Ibrahim I, and his name is still on the column. The paper tone is part of the artwork; print on white matte paper. The warm washi fibres and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/lorck-suleyman-linocut/ https://sezlab.dev/tirajart/img/p/lorck-suleyman-linocut/akis-1200-f7bbecdc.jpg https://sezlab.dev/tirajart/img/p/lorck-suleyman-linocut/05-600-258ab361.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Linocut tirajart-hogarth-dervishes-engravingWilliam Hogarth's plate of the whirling dervishes inside a mosque, from La Motraye's Travels (London, 1724), redrawn as a line engraving in sepia on warm cream paper. Tiraj reinterprets the plate as a burin engraving: parallel lines that follow the turning skirts, the lattice windows and the columns. The ink is sepia, the warm brown of 18th-century book plates. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/hogarth-dervishes-engraving/ https://sezlab.dev/tirajart/img/p/hogarth-dervishes-engraving/akis-1200-9e717b52.jpg https://sezlab.dev/tirajart/img/p/hogarth-dervishes-engraving/05-600-ed1972d4.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Engraving tirajart-melbye-bosphorus-aquatintAnton Melbye's 1853 drawing of the English fleet at anchor off Beykoz on the Bosphorus, reprinted as an aquatint in indigo grey on warm cream paper. Tiraj reinterprets the drawing as an aquatint, the etching technique of the great 18th- and 19th-century views of Constantinople: a resin grain bitten in five tone steps for the clouds and the water, with the masts and rigging bitten as lines. The ink is indigo grey. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/melbye-bosphorus-aquatint/ https://sezlab.dev/tirajart/img/p/melbye-bosphorus-aquatint/akis-1200-76d4adac.jpg https://sezlab.dev/tirajart/img/p/melbye-bosphorus-aquatint/05-600-90e5dd9b.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Aquatint tirajart-bosschaert-flowers-mezzotintAmbrosius Bosschaert's 1606 bouquet of tulips, roses and irises in a glass, reprinted as a mezzotint in bistre brown on warm cream paper: the flowers glow out of a velvet dark. Tiraj reinterprets the painting as a mezzotint: a rocked, velvety dark ground from which each petal is scraped and burnished into light. The ink is bistre, the brown-black of 18th-century mezzotint reproductions of Dutch still lifes. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/bosschaert-flowers-mezzotint/ https://sezlab.dev/tirajart/img/p/bosschaert-flowers-mezzotint/akis-1200-aeaa22ff.jpg https://sezlab.dev/tirajart/img/p/bosschaert-flowers-mezzotint/05-600-f8fec5f0.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Mezzotint tirajart-curtis-orange-lily-screenprintAn orange lily from Curtis's Botanical Magazine (1807), reprinted as a three-layer screen print in warm black, tulip red and sage on cream paper. Tiraj reduces the hand-coloured engraving to three flat, opaque screen-printed layers: warm black for the shadows and stamens, tulip red for the petals, sage for the leaves and the speckled throats. Each layer is a hard-edged shape with a little ink spread, like a mid-century botanical poster. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/curtis-orange-lily-screenprint/ https://sezlab.dev/tirajart/img/p/curtis-orange-lily-screenprint/akis-1200-c21dd0df.jpg https://sezlab.dev/tirajart/img/p/curtis-orange-lily-screenprint/05-600-0fe7d0bc.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Screen print tirajart-redoute-crown-imperial-risoRedouté's crown imperial from Les Liliacées, reprinted as a three-colour risograph in hunter green, sunflower and burgundy on cream paper. Tiraj separates the stipple engraving into three risograph drums, hunter green, sunflower and burgundy, with riso grain and a slight misregistration. The leaves stay green and the hanging bells turn a warm orange where sunflower and burgundy overprint. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/redoute-crown-imperial-riso/ https://sezlab.dev/tirajart/img/p/redoute-crown-imperial-riso/akis-1200-0be2eb94.jpg https://sezlab.dev/tirajart/img/p/redoute-crown-imperial-riso/05-600-afd3ded3.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Risograph tirajart-bradbury-fern-cyanotypeHenry Bradbury's 1855 nature print of the beech fern, roots and all, reprinted as a Prussian blue cyanotype on warm washi paper, after Anna Atkins's fern cyanotypes. Tiraj turns the nature print into a cyanotype, the iron-based sun print Anna Atkins used for her ferns in the 1850s: a single Prussian blue for the fronds and the fine roots, with hand-brushed edges on warm washi. The paper tone is part of the artwork; print on white matte paper. The warm washi fibres and brush edges are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/bradbury-fern-cyanotype/ https://sezlab.dev/tirajart/img/p/bradbury-fern-cyanotype/akis-1200-bd850dae.jpg https://sezlab.dev/tirajart/img/p/bradbury-fern-cyanotype/05-600-8886c541.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Cyanotype tirajart-bukhari-nightingales-iznik-riso'Abdullah Bukhari's two nightingales in a rose bush, an 18th-century Ottoman album leaf framed in marbled ebru paper, reprinted as a three-colour risograph in cobalt blue, plum and aqua on cream paper. Tiraj separates the painting and its marbled border into three risograph drums, medium blue, bright red and aqua, with riso grain and slight misregistration. Red overprints the blue as a soft plum, so the ebru swirls turn cobalt, aqua and plum; the nightingale and the rose sit on the open cream panel. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/bukhari-nightingales-iznik-riso/ https://sezlab.dev/tirajart/img/p/bukhari-nightingales-iznik-riso/akis-1200-57fb1ca3.jpg https://sezlab.dev/tirajart/img/p/bukhari-nightingales-iznik-riso/05-600-aaee636d.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Risograph tirajart-redoute-morning-glory-sanguineHenri-Joseph Redouté's star-glory morning glory (1827), redrawn as a line engraving in sanguine red on warm cream paper. Tiraj reinterprets the stipple print as a burin engraving: parallel lines that follow the curve of each leaf and trumpet. The ink is sanguine, the red-chalk colour of 18th-century crayon-manner prints. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/redoute-morning-glory-sanguine/ https://sezlab.dev/tirajart/img/p/redoute-morning-glory-sanguine/akis-1200-9f40aac0.jpg https://sezlab.dev/tirajart/img/p/redoute-morning-glory-sanguine/05-600-79d5bf19.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Engraving tirajart-brookshaw-plums-risoGeorge Brookshaw's plums from Pomona Britannica (1806), reprinted as a three-colour risograph in hunter green, sunflower and burgundy over a dark ground on cream paper. Tiraj separates the aquatint into three risograph drums, hunter green, sunflower and burgundy. The three inks overprint into the near-black ground of the original plate; the leaves stay green and the plums keep their purple bloom. The paper tone is part of the artwork; print on white matte paper. The warm cream sheet and the printing texture are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/brookshaw-plums-riso/ https://sezlab.dev/tirajart/img/p/brookshaw-plums-riso/akis-1200-de1309b1.jpg https://sezlab.dev/tirajart/img/p/brookshaw-plums-riso/05-600-2e3988ac.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Risograph tirajart-bradbury-fern-photogramHenry Bradbury's 1855 beech fern, roots and all, as a cyanotype photogram: a white fern silhouette on brushed Prussian blue. Tiraj re-imagines the plate as a cyanotype photogram, the way Anna Atkins made her plant studies in the 1840s: the plant lies on the sensitised sheet, the sun turns the paper Prussian blue, and the plant's shadow stays white. The three fronds and the fine roots keep their veins as pale lines inside the white. The blue reads as hand-brushed onto cream paper, with dry-brush edges and uneven coating. A digital print file, made from a public domain museum image. The paper tone is part of the artwork; print on white matte paper. The cream sheet, the brushed Prussian blue and its uneven coating are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/bradbury-fern-photogram/ https://sezlab.dev/tirajart/img/p/bradbury-fern-photogram/akis-1200-7b2c72c6.jpg https://sezlab.dev/tirajart/img/p/bradbury-fern-photogram/05-600-f854412b.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Cyanotype photogram tirajart-redoute-crown-imperial-photogramRedouté's crown imperial from Les Liliacées as a cyanotype photogram: a white flower silhouette on brushed Prussian blue. Tiraj re-imagines the plate as a cyanotype photogram, the way Anna Atkins made her plant studies in the 1840s: the plant lies on the sensitised sheet, the sun turns the paper Prussian blue, and the plant's shadow stays white. The crown of leaves, the hanging bells and the long stem read as one white shape, with the stipple of the engraving left as a faint texture. The blue reads as hand-brushed onto cream paper, with dry-brush edges and uneven coating. A digital print file, made from a public domain museum image. The paper tone is part of the artwork; print on white matte paper. The cream sheet, the brushed Prussian blue and its uneven coating are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/redoute-crown-imperial-photogram/ https://sezlab.dev/tirajart/img/p/redoute-crown-imperial-photogram/akis-1200-5f6279c1.jpg https://sezlab.dev/tirajart/img/p/redoute-crown-imperial-photogram/05-600-0f55ee5e.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Cyanotype photogram tirajart-redoute-rose-photogramRedouté's pasture rose as a cyanotype photogram: a white rose silhouette on brushed Prussian blue. Tiraj re-imagines the plate as a cyanotype photogram, the way Anna Atkins made her plant studies in the 1840s: the plant lies on the sensitised sheet, the sun turns the paper Prussian blue, and the plant's shadow stays white. The open roses, buds and serrated leaves stay white, with their shading left as a faint texture inside the shape. The blue reads as hand-brushed onto cream paper, with dry-brush edges and uneven coating. A digital print file, made from a public domain museum image. The paper tone is part of the artwork; print on white matte paper. The cream sheet, the brushed Prussian blue and its uneven coating are printed into the file. Digital download: five high-resolution JPEG files (2:3, 3:4, 4:5, 11:14, ISO A). Not AI-generated.https://sezlab.dev/tirajart/prints/redoute-rose-photogram/ https://sezlab.dev/tirajart/img/p/redoute-rose-photogram/akis-1200-dd0d8b3f.jpg https://sezlab.dev/tirajart/img/p/redoute-rose-photogram/05-600-eb7aecf2.jpg 7.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Cyanotype photogram tirajart-set-blue-gardenA rose and a fern in deep blue on pale paper, with a white crown imperial on Prussian blue between them. Includes: Pasture Rose after Pierre-Joseph Redouté; Crown Imperial after Pierre-Joseph Redouté; Polypodium Phegopteris after Henry Bradbury. Digital download, five ratios per print. Not AI-generated.https://sezlab.dev/tirajart/sets/#blue-garden https://sezlab.dev/tirajart/img/s/blue-garden/galeri-600-5b5c429a.jpg 14.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Sets yes tirajart-set-istanbul-in-blueThree Ottoman scenes in Iznik blues: Pasini’s mosque courtyard, Lorck’s Sultan Süleyman and Bukhari’s two nightingales. Includes: A Mosque after Alberto Pasini; Sultan Süleyman and the Süleymaniye Mosque after Melchior Lorck; Two Nightingales in a Rose Bush after 'Abdullah Bukhari. Digital download, five ratios per print. Not AI-generated.https://sezlab.dev/tirajart/sets/#istanbul-in-blue https://sezlab.dev/tirajart/img/s/istanbul-in-blue/galeri-600-cddc11ec.jpg 14.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Sets yes tirajart-set-low-lightThree dark-ground prints for a warm, dim room: Bosschaert’s flowers, Brookshaw’s plums and Sargent’s Hagia Sophia. Includes: Flowers in a Glass after Ambrosius Bosschaert; Pomona Britannica: Plums after George Brookshaw; Santa Sofia after John Singer Sargent. Digital download, five ratios per print. Not AI-generated.https://sezlab.dev/tirajart/sets/#low-light https://sezlab.dev/tirajart/img/s/low-light/galeri-600-784446fd.jpg 14.99 USDin_stocknew TirajArtno 500044Art Prints > Digital Downloads > Sets yes